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SYNOPSIS

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DETAILS

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TRAILER

CREDITS

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BIOGRAPHY

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DIRECTOR - MALIKA ZOUHALI-WORRALL

Malika Zouhali-Worrall is an award-winning filmmaker of British/Moroccan origin. She is one of the directors and the producer of CALL ME KUCHU (2012), a documentary that depicts the last year in the life of the first openly gay man in Uganda, David Kato. The film premiered at the Berlin Film Festival, where it won the Teddy Award for Best Documentary and the Cinema Fairbindet Prize. It has since won 18 more awards—including Best International Feature at Hot Docs Canadian International Documentary Festival—and has been theatrically distributed in Canada, Germany, the UK and the US. Malika is a Chaz & Roger Ebert Directing Fellow and an alumnus of the Film Independent Documentary Lab, the Tribeca All Access program, the Firelight Producers Lab, and the Garrett Scott Documentary Development Grant at Full Frame Documentary Festival. In 2012, Filmmaker Magazine named Malika one of 25 New Faces of Independent Film. Malika is a graduate of Cambridge University, and holds an M.A. in International Affairs from the Paris Institute of Political Studies (Sciences Po), where she studied with a full scholarship from the Entente Cordiale Scholarship Scheme. She lives in Brooklyn, NY with her husband, journalist Andy Greenberg.

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PRESS

"Extraordinary access... Thrilling... It's as if a Frederick Wiseman film had been reimagined by William Blake."
- A.O. Scott, New York Times, Sundance Wrap-Up: 6 Movies We Like

"Exquisitely intimate"
- Guy Lodge, Variety, ‘A House Made of Splinters’ Review: A Heart-Tugging Documentary Portrait of Children in Limbo

"Extraordinary"

- Jack Seale, The Guardian, A House Made of Splinters Review

"The trust Wilmont – who acted as his own cinematographer – builds with the children is nothing short of remarkable. Every minute we spend with them feels unguarded and natural, whether it’s the look of quiet resignation when a mother fails to pick up the phone or the almost magical joyous immediacy of a sparkler in the dark."

- Amber Wilkinson, Screen Daily, ‘A House Made Of Splinters’: Thessaloniki Review

"This is a delicately observed film that affords its subjects empathy and respect."

- Pat Mullen, POV Magazine, A House Made of Splinters Review: Humanity and Heartache

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