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A Film by Ramona S. Diaz Produced by Leah Marino, Julie Goldman, Chris Clements, Carolyn Hepburn Language English, Tagalog Country USA Year 2020 Duration 98′
August 28, 2020
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A Film by Ramona S. Diaz Produced by Leah Marino, Julie Goldman, Chris Clements, Carolyn Hepburn Language English, Tagalog Country USA Year 2020 Duration 98′
Director Hans Pool Produced by Femke Wolting and Bruno Wille Felix Submarine Cinematography Hans Pool Editing Simon Barker Screenplay Hans Pool In Co-Production with VPRO
Directed, Written and Produced by Anand Patwardhan “In what is perhaps his most urgent and thorough exploration of Indian society yet, renowned documentarian Anand Patwardhan
Director Alexander Nanau Produced by Alexander Nanau and Bianca Oana Co-Production SAMSA FILM and HBO EUROPE Co-Producers Bernard Michaux, Hanka Kastelicova Sound Design Angelo Dos
Director Francesca Mannocchi, Alessio Romenzi Produced by FremantleMedia Italia (Gabriele Immirzi), Rai Cinema, CALA Filmproduktion (Martina Haubrich), Wildside (Lorenzo Gangarossa) Executive Producers Silvia Bonanni Music
For centuries, traditional music has unified Mali’s society. Yet the music of Mali is in jeopardy.
Radical Islamists introduced sharia law, prohibited dance and secular music and destroyed instruments.
MALI BLUES tells the story of four musicians who refuse to accept hatred, suspicion, violence,
and a radical interpretation of Islam in their country.
The film follows the stories of a new generation of Palestinians who through social media manage
to reach beyond the physical barriers of the occupation. Manal, Issa, Ahmad and Mussa, from the West Bank and Gaza,
are looking to break through the current status quo and to regain their freedom. They are the Palestinian Generation Y.
“You lack inner peace, I can see it in your eyes…” With this abrupt remark thrown at her by a woman visiting Jerusalem’s Wailing Wall,
filmmaker Moran Ifergan is reminded of the religion she left in her late teens, when she used to frequent this holy site.
While her marriage falls apart, Moran takes us on an around-the-clock journey to the women’s side of the Wall;
mixing between private and public, sound and image, God and His absence.
Director: Tamar Kay Produced by: Tamar Kay and Ariel Richter for the Sam Spiegel Film and TV School Cinematography: Zvi Landsman Screenplay: Tamar Kay Editor:
Mogadishu Soldier offer an unsentimental and truly unique view into the fight against the jihadist militants in Al-Shabaab. Two soldiers have been given a camera by the film’s director, and commence to deliver a steady flow of extraordinary material.
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