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BLOODY NOSE, EMPTY POCKETS

by Bill & Turner Ross

SYNOPSIS

In the shadows of the bright lights of Las Vegas, it’s last call for a beloved dive bar known as the Roaring 20s. That’s the premise, at least; the reality is as unreal as the world the regulars are escaping from. Bloody Nose, Empty Pockets is a mosaic of disparate lives, teetering between dignity and debauchery, reckoning with the past as they face an uncertain future, and singing as their ship goes down.

Filmmaking duo Bill and Turner Ross (Western, Sundance 2015 ) return with an elegiac portrait of a tiny world fading away but still warm and beating with the comfort of community. Their beguiling approach to nonfiction storytelling makes for a foggy memory of experience lost in empty shot glasses and puffs of smoke.

DETAILS

98 mins

2020

USA

English

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TRAILER

CREDITS

Presented by: Concordia Studio

Produced by: Department of Motion Pictures Production

In Association with: XTR

Directed, Produced & Photographed by: Bill Ross IV & Turner Ross

Editor: Bill Ross IV

Produced by: Michael Gottwald, Chere Theriot

Executive Producers: Davis Guggenheim, Jonathan Silberberg, Nicole Stott, David Eckles, Minette Nelson, Matt Sargeant, Bryn Mooser, Kathryn Everett, Josh Penn

Co-Executive Producers: Daniel Patrick Carbone, Matthew Petock, Zachary Shedd

Contributing Producer: Justin Lacob

Consulting Producers: Noah Stahl, Elizabeth Lodge Stepp

Original Score: Casey Wayne McAllister

BIOGRAPHY

DIRECTORS - BILL & TURNER ROSS

The Ross Brothers are an American filmmaking team whose credits include the award-winning films 45365 (2009), TCHOUPITOULAS (2012), WESTERN (2015), and CONTEMPORARY COLOR (2017). Born and raised in Sidney, Ohio, and both graduates of the Savannah College of Art and Design, Bill and Turner Ross began work in the film industry in Los Angeles, with Bill as an editor and filmmaking teacher, and Turner in art departments on studio features. But they soon decided to eschew the day jobs of Hollywood and continue the creative partnership they began as kids by making their own films. In the years since, their films have brought them renown as some of the most innovative and interesting documentary filmmakers working today, with a style all their own and always evolving -- pushing the art of presenting uninhibited portraits of and journeys through places, with all the complicated, humanistic, and lyrical truth that that entails.

Their work has been featured at museums and film festivals throughout the world, including the Museum of Modern Art, Lincoln Center in New York, the Centre Pompidou in Paris, and the British Film Institute in London. Their work has been supported by the Sundance Institute, the Rooftop Filmmaker’s Fund, Cinereach, the San Francisco Film Society and a generous grant from the late Roger Ebert. They were honored as Ambassadors for the American Film Showcase and as Sundance Documentary Institute Fellows. They were named Decade Filmmakers by Cinema Eye Honors, and in 2018 they became members of the Academy of Motion Pictures Arts & Sciences.

According to Metacritic, Bill and Turner Ross are the 6th best reviewed filmmakers of the 21st
century.

When not making their own films, they collaborate with friends and fellow filmmakers such as Benh Zeitlin (BEASTS OF THE SOUTHERN WILD, WENDY), David Lowery (AIN'T THEM BODIES SAINTS, A GHOST STORY), A.J. Schnack (CAUCUS), Robert Greene (BISBEE '17), Raoul Peck (I AM NOT YOUR NEGRO), and David Byrne. They live and work in New Orleans.

SELECT FESTIVALS

SUNDANCE 2020〡CINEMA EYE HONORS 2021 - HETERODOX AWARD〡BERLINALE 2020〡CPH:DOX 2020〡FILM FEST GENT 2020〡BELDOCS 2021〡DOCAVIV 2020〡IDFA 2020〡NEW ZEALAND IFF 2020〡THESSALONIKI 2020〡DMZ 2020〡DOCVILLE 2021〡VANCOUVER IFF 2020〡TRUE/FALSE 2020〡NEW ORLEANS FILM FEST 2020

PRESS

"A brilliant, boozy hangout movie... Unfolds as a brilliant work of cinema verité... the pub serves as a fascinating microcosm of America’s fractured, browbeaten underbelly on the verge of self-destruction... Both a grand cinematic deception and a bold filmmaking experimentation from two of the most intriguing directors working in non-fiction today."
- Eric Kohn, IndieWire

"A tale of profound authenticity and devastating heartbreak."
- Jordan Raup, The Film Stage

"It’s an arthouse twist on the Murray- Bunim reality TV cocktail: Stir a dozen or so hand-picked heavy drinkers into an actual bar with actual alcohol, and with a spritz of plot setup, these extroverts start talking about life, love, sex, war, family, politics, aging and regret."
- Amy Nicholson, Variety

"An empathetic portrait of a bar and the people who love it — with a twist."
- Alissa Wilkinson, VOX

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