
My Rembrandt
Director Oeke Hoogendijk Produced by Frank van den Engel / Discours Film, Oeke Hoogendijk for Discours Film Co-Production THINK FILM IMPACT PRODUCTIONS and MADE IN COPENHAGEN
Director Oeke Hoogendijk Produced by Frank van den Engel / Discours Film, Oeke Hoogendijk for Discours Film Co-Production THINK FILM IMPACT PRODUCTIONS and MADE IN COPENHAGEN
Director Michael Yuchen Lei Produced by Andrew Renzi, Kevin Iwashina, Michael Yuchen Lei Co-Production Abby Lynn Kang Davis and Jess Kwan Executive Producers Kevin Lin,
RUBEN BLADES IS NOT MY NAME takes us up close to one of Latin America’s most beloved singer-songwriters, his music, and the stories behind them.
GURRUMUL is a portrait of the blind Indigenous artist Geoffrey Gurrumul Yunupingu, one of Australia’s
most celebrated and important voices.
Maverick film director Peter Bogdanovich evokes his life and work
For centuries, traditional music has unified Mali’s society. Yet the music of Mali is in jeopardy.
Radical Islamists introduced sharia law, prohibited dance and secular music and destroyed instruments.
MALI BLUES tells the story of four musicians who refuse to accept hatred, suspicion, violence,
and a radical interpretation of Islam in their country.
Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike.
In a never-before-seen interview filmed a few years before his death, Sidney Lumet guides us through his life and work. Powerfully dramatic and wildly entertaining films such as Serpico, Dog Day Afternoon, 12 Angry Men, and Network, are just part of the canon of one of the most socially conscious directors in the history of cinema.
The story of the Rise and fall of National Lampoon. Amid the cultural shift of the 1970s, American comedy got a sharper edge when a newly minted magazine named National Lampoon stuck its middle finger up at the establishment. Energetic, revolutionary, and often hilarious, DRUNK STONED BRILLIANT DEAD elevates nostalgia to a roof-raising experience.
Coming of age in the 1960s, John Wojtowicz’ libido was unrestrained even by the libertine standards of the era, with multiple wives and lovers, both women and men. In August 1972, he attempted to rob a Brooklyn bank to finance his lover’s sex‐reassignment surgery, resulting in a fourteen‐hour hostage situation that was broadcast live on television. Three years later, John was portrayed by Al Pacino as “Sonny”
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